Transformational Tarot
Review by Bonnie Cehovet, TE
Author: Arnell Ando
Artist: Arnell Ando
U.S. Games Systems Inc., 2006
ISBN #1-57281-539-6
Suits: Wands, Cups, Swords, Coins
Court cards: King, Queen, Prince, Princess
Justice = VIII, Strength = XI
The 'Transformational Tarot' was originally published in 1995, as an Indie. I am reviewing the version
published in 2006 by U.S. Games. It is a 78 card collage deck, following
traditional Tarot structure. In the reissuing of this deck, Arnell was able to
use Photoshop to sharpen and streamline the imagery in the cards, which was an
issue with the original deck. At the request of U.S. Games, some of the cards
were revisited, including a new look for the Star; the Five of Wands, Four of
Cups and King of Swords were altered; the Eight of Wands, Five and Seven of
Swords, and Ten of Coins were totally redone.
The suits are Wands, Cups, Swords and Coins. The court card titles are King,
Queen, Prince and Princess. Justice is VIII, Strength XI. The following Major
Arcana cards were re-titled: the Fool becomes the Dreamer, the Magician becomes
the Magus, the High Priestess becomes the Sorceress, the Hierophant becomes the
Sage, the Chariot becomes Challenge, the Hermit becomes Introspection, the Wheel
of Fortune becomes Karma, the Hanged Man becomes Reflection, Temperance becomes
Alchemy, and Judgment becomes Liberation.
Each time I go through this deck I see something new and exciting! The first
time through, I noted the use of Native American, or shamanistic symbols, such
as the spider and spider webs, and the bear. The next time around I noted the
dreamlike/fantasy quality of some of the cards, such as the childlike figure in
the Dreamer, the young girl in the Sorceress (I loved the Tarot cards falling
from the table!), the spiraling snake with the young girl on a swing in the
center of Karma, the skeletons in Death, the skeleton 'puppet' in the Tower, the
spider web in the night sky of the Star, the small child lost on the large chair
in the Five of Cups and the ethereal quality of the "ghost horses" in the King
of Cups (this is actually King Neptune, with his horses representing the waves).
There are unquestionably many levels of meaning to each card. Sometimes collage
looks like unrelated objects thrown together, and sometimes collage manages to
tell its stories in a free-flowing, unique fashion. Come to this deck with the
expectation of hearing entrancing stories, and you will not be let down.
The story of the Magus is portrayed on many levels: his jester style hat brings
in thought of Trickster Coyote - of lessons learned through laughing at
ourselves, and our inability to harness our skills and abilities. His heart
shaped glasses say that he works through unconditional love, while the twelve
stars on his robes represent the influence of the Zodiac.
I loved the young girl in the Sorceress (the High Priestess), with a crescent
moon acting as a halo over her head, surrounded by her familiars (a black cat, a
raven, and a snake). Challenge (the Chariot) takes us into a modern setting,
with a skateboarder recklessly skating down a staircase (skateboarder drawn by
Arnell's son!) Religious pictures in the background are of different geometric
forms, with a cross hanging from one of them. In your face to religious
authority! Introspection (the Hermit), which is one of my birth cards, shows a
figure seated, facing a lit candle. At heart level we see a skull, indicating
the need to release something (or someone). In front of the figure is an insert
of a bear, indicating dreamtime, and the wisdom gathered there.
Reflection (the Hanged Man) for some reason just does not work for me. At the
top of the card we see Christian symbology, while reflected in the pool below we
see spiritual opposites. Running through the middle of the card we see the word
'reverse' placed upside down. This is one of those cards that, at least for me,
need to be worked with before their full power comes out.
The Tower, which can be a bland, if scary, card, comes to life in this deck! We
see a female figure, labeled Kali, working the strings of a puppet skeleton.
Seeming to come from a vessel on her right are representations of war. Next to
the puppet we see a green bird that appears to be the Dove of Peace. Choices -
we do have choices!
The story of the Empress and the Emperor was one that I could not connect with.
They are supposed to be reflective of one another - the Empress stands behind
the tree on its right side, the Emperor stands behind the tree on its left side.
The meanings of these two cards just did not come through for me. At first
glance, I thought the figures were part of the Tree, which I saw as the Tree of
Life. Under this perception, I thought the cards carried great power!
The symbology used in the Minor Arcana is much gentler - such as Persephone
holding a persimmon in the Two of Wands; the figure of a women, seated in a
garden reading in the Three of Wands; the male and female figures holding hands
in the Three of Cups; and the ballerina dancing in the Two of Coins, juggling
with her shadow, with the balls turning into yin/yang when they intersect with
the shadow.
There are cards that are startling and/or thought provoking, such as the Eight
of Wands, which shows a female figure in a pensive position, with an open book
in front of her, and a calendar behind her. To her left we see a miniature
house, with miniature furniture in front of it. I loved this reminder that yes,
miniature 'Shoppes' are a part of Arnell's life! The Five of Cups is gut
wrenching, showing a small girl sitting on a large chair, a la Lily Tomlin, in a
forlorn position. On the floor is a spilled Cup. Have we all not had the
experience of feeling 'small' in life!
The LWB (Little White Book) that comes with the deck gives a short synopsis of
each of the cards, along with upright and reversed meanings, but no scans. I
would love to see Arnell do a book to go with this deck! Hint to readers: Visit
Arnell's site (
www.arnellart.com
) to see an on-line version of each card, and
its definition.
The one spread that is presented is the Celtic Cross - but with a twist: there
is an eleventh card drawn, selected from the bottom of the deck, and used as a
gift to the Seeker, a 'hidden factor' in their reading. I think many of us draw
this card routinely (I call it the 'way out'), but I have never seen it used as
part of this spread before.
The cards themselves are approximately 2 3/4" by 4 3/4", of quality, sturdy,
glossy card stock. The backs have a 1/4" white border, surrounding a repeating
pattern in tones of gold and lavender. It would not be possible to tell if a
card was drawn upright or reversed. The card faces show the same 1/4" white
border, surrounding the card image. At the bottom of the Trumps are the card
numbers, in Roman numerals, and the card titles. The Court cards show the title
and suit at the bottom of the card, while the Pips (numbered cards), show the
number and suit in text across the bottom of the card.
The 'Transformational Tarot' was created with the thought of spiritual
transformation in mind. It more than fulfills its purpose. While not for the
beginning reader, this is a wonderful deck to use for expanding the use of
Tarot, for doing personal Tarot work, for experiential reading that will take
the reader and the Seeker out of their 'safe place' and for meditation and
ritual work. For those who collect in the venues of collage and/or art, this is
a 'must have' deck.
© February 2006
(Reprinted here with the permission of Bonnie Cehovet)